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<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Open Culture - Latest Comments in Ira Glass on the Art of Story Telling</title><link>http://oculture.disqus.com/</link><description>None</description><atom:link href="https://oculture.disqus.com/ira_glass_on_the_art_of_story_telling/latest.rss" rel="self"></atom:link><language>en</language><lastBuildDate>Wed, 17 Feb 2010 08:46:27 -0000</lastBuildDate><item><title>Re: Ira Glass on the Art of Story Telling</title><link>http://www.openculture.com/2009/10/ira_glass_on_the_art_of_story_telling.html#comment-47370728</link><description>&lt;p&gt;In this video, Glass describes how to make a boring event into a listenable story. That's essentially what he does each week on his program. What he doesn't point out here is that at the end of the story, the listener may think to himself, "Why have I just spend 20 minutes of my life listening to this mumbling about a boring event" and stop tuning in to the program.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Thomas Stewart Rogers</dc:creator><pubDate>Wed, 17 Feb 2010 08:46:27 -0000</pubDate></item><item><title>Re: Ira Glass on the Art of Story Telling</title><link>http://www.openculture.com/2009/10/ira_glass_on_the_art_of_story_telling.html#comment-47370727</link><description>&lt;p&gt;Ira Glass has a comfortable, compelling disposition that reminds and instructs in the uniqueness of the spoken and written word. That is to say, WORDS... are like the pieces of a Jigsaw-Puzzle, a single piece alone on the board reveals nothing. A pile scrambled on the table has no cohesive STORY to tell... But, connect a portion of the pieces and you begin to see a discernible image. The more pieces you connect, the clearer that image becomes. However, it's only when you've connected ALL of the pieces, IN ALL THE RIGHT PLACES that you have an IMAGE as it was INTENDED to be. So, when telling your STORY (in conversation or the printed page) keep in mind each WORD you choose ought to connect one to the other, with the intent of REVEALING an IMAGE that is compelling and worthy of your audiences time and attention. A Picture on the Wall, the Tongue like a Pen, Frames It In with the Greatest of Details... WORDS PAINT PICTURES... The more WORDS you get on a subject, the clearer that Image becomes... So remember, every word you say is a stroke of the brush...&lt;/p&gt;&lt;p&gt;          A Stroke Of The Brush&lt;br&gt;   Copyright 1987 Michael Gibbowr&lt;/p&gt;&lt;p&gt;      On the Canvas Of Life&lt;br&gt;A picture we see&lt;br&gt;      Though not yet complete&lt;br&gt;It one day will be&lt;br&gt;      Yet a question I ponder&lt;br&gt;Is why all the rush&lt;br&gt;      For Beauty depends&lt;br&gt;On each Stroke Of The Brush&lt;/p&gt;&lt;p&gt;      So why all the scurry&lt;br&gt;Why all the haste&lt;br&gt;      It only results&lt;br&gt;In a Portrait of Waste&lt;br&gt;      Oh my Apprentice&lt;br&gt;If you could just See&lt;br&gt;      A true Work Of Art&lt;br&gt;Overnight cannot be&lt;/p&gt;&lt;p&gt;      For a Masterpiece is more&lt;br&gt;Than a Mixing of Paint&lt;br&gt;      It’s a Labor of Love&lt;br&gt;Over which you don’t faint&lt;br&gt;      It’s like a free flowing river&lt;br&gt;Like the stars in the night&lt;br&gt;      Alive and Exciting&lt;br&gt;It tells everything right&lt;/p&gt;&lt;p&gt;      It’s something that has&lt;br&gt;No words to describe&lt;br&gt;      The Beauty and Splendor&lt;br&gt;It holds deep inside&lt;br&gt;      It’s something that has Life&lt;br&gt;In each Stroke Of The Brush&lt;br&gt;      For the Painter content saw no need to rush&lt;br&gt;He simply enjoyed each Stroke Of The Brush&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mike gibbowr</dc:creator><pubDate>Mon, 15 Feb 2010 02:23:29 -0000</pubDate></item></channel></rss>